Album insights
Francis Poulenc affectionately compares Chabrier to a kindhearted father, laden with treats, whose music serves as a comforting treasure trove during his darkest days. Poulenc's insights cleverly touch on the delightful facets of Stephen Hough's latest piano collection dedicated to French music, described by the pianist as a musical dessert trolley. The collection showcases a departure from the norm, starting with renowned Swiss musician Alfred Cortot, not a composer per se, yet his interpretation of canonical works embodies a cultivated simplicity.
Cortot's gallant rendition of Bach's D minor Toccata and Fugue contrasts with bold transcriptions, maintaining the original's monumental form with Gallic finesse. Following this, Fauré's diverse style shines through in four pieces, showcasing contrasting tempos and textures, particularly exemplified in the tranquil majesty of the Sixth Nocturne and the dynamic Fifth Barcarolle. Fauré's meticulous construction and restless harmonies give the Barcarolle an edgy quality, culminating in a turbulent yet serene conclusion.
Transitioning to Gabriel Fauré's improvisational prowess, his set of Huit Pièces brèves, dating back to the early 20th century, stands as a refined test of musicianship, hinting at nuanced musicality and rhythmic subtleties. Moving on to Poulenc's realm, his melancholic tendencies come to the fore in the introspective piece "Mélancolie," evoking a sense of nostalgic longing amidst subtle tonal shifts and harmonic flirtations. The journey continues with Poulenc's poignant Nocturne No. 4, resonating with his signature wit and tenderness, showcasing a blend of tradition and modern flair.
From Fauré and Poulenc, the exploration leads to Ravel's spirited rendition of Alborada del gracioso, delving into his Basque roots and cultural inspirations. The transition to Massenet's emotive terrain marks a shift in tone, paying homage to the opera world through Crépuscule—a refined adaptation adding a new dimension to Massenet's lyrical tapestry. Delving further into French repertoire, Chaminade's lyrical prowess shines in Automne, reflecting both Mozartian ease and pianistic virtuosity.
The stage is set for the grand finale with Halévy's monumental La juive, immortalized by Liszt's masterful Réminiscences de „La juive,“ a fantastical voyage intertwining melodies from Halévy's opera into Liszt's virtuosic tapestry. This musical journey culminates with the infectious allure of Delibes' Sylvia, captured brilliantly through Hough's enchanting portrayal and delicious embellishments, breathing new life into this celebrated piece.