Eriks Ešenvalds Eriks Ešenvalds is known for his pragmatic approach to composition, tailoring his works to the abilities and characteristics of each performer. To appeal to a global audience, he prefers to use English-language texts. His compositions are characterized by a wide range of techniques, rhythmic diversity, and dissonances, which lend his musical expression additional depth. Despite his individual style, Ešenvalds consistently impresses with his authentic musicality. Free from traditional conventions, his work reflects the artistic freedom gained in independent Latvia.
After studying composition in Riga, Ešenvalds sought inspiration and further training from teachers in various countries, which contributed to his stylistic versatility. Choral music is central to his work and significantly shapes his artistic identity. His close connection to the church is evident in works such as "Passion and Resurrection," which captivates with its religious sensitivity.
Instead of main characters, the choirs often take center stage in his works: they take on both the words of Jesus and the commentary on the events. The work "Passion and Resurrection" is structured into four interconnected sections and takes the listener on an intense musical journey.
In other compositions such as "Evening" and "Night Prayer," Ešenvalds demonstrates his sensitivity to personal timbres and rich harmonies. "A Drop in the Ocean" is dedicated to the life of Mother Teresa and employs avant-garde techniques to achieve a targeted emotional impact. With "Legend of the Walled-In Woman," he draws on an Albanian legend and creates a haunting, contemplative soundscape.
Finally, the piece "Long Road" captivates with its simple, Latvian-language setting of a love poem. With honest simplicity and sonic splendor, Ešenvalds imbues the music with a depth reminiscent of a moving hymn.