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Medtner: Forgotten Melodies; Skazki, Op. 8

Medtner: Forgotten Melodies; Skazki, Op. 8

Marc-André Hamelin

Duration75 Min

Medtner is often viewed in Russian music history as an isolated and almost forgotten figure, despite the praise heaped upon him by prominent musicians. While dedicated music lovers lamented his decline, a gradual rediscovery of his work has recently become apparent.

His career was marked by passion and talent and initially promised a brilliant future, but external influences and the circumstances of the time gradually led to his withdrawal from the limelight. As an outstanding graduate of the Moscow Conservatory, Medtner defied his family's expectations and chose his own artistic path. Although he initially gained recognition in Russia, international fame largely eluded him.

In 1921, Medtner left Russia for political reasons and returned only briefly. After several concert tours, he settled permanently in Great Britain, where, despite financial difficulties and health problems, he remained true to his calling as a composer, supported by patrons.

His rather traditional approach to music contrasted with the modern trends of his time and led to a certain isolation within the music world. His close ties to classical models and his individual style are particularly indicative of his great independence. The fusion of Russian and German influences especially shaped his piano works.

Medtner devoted himself to the piano with particular devotion, creating works that demand attentive listening and intensive engagement. The series of piano miniatures, known as "Fairy Tales," reveals remarkable emotional depth and offers a glimpse into his inner self.

In rural seclusion and while working through old sketchbooks, cycles such as the "Forgotten Melodies" emerged, which translate Medtner's creative process and inner struggles into music.

Two early pieces in C minor from the Fairy Tale series are particularly noteworthy. As musical narratives, they reflect Medtner's personal experiences and inner conflicts, departing from the conventions of traditional fairy tales. Their originality and expressiveness impressed even contemporaries like Prokofiev.