Skip to content
Roslavets: Chamber Symphony & In the Hours of the New Moon

Roslavets: Chamber Symphony & In the Hours of the New Moon

BBC Scottish Symphony Orchestra, Ilan Volkov

Duration68 Min

Album insights

Benjamin Godard, a prolific composer who tragically saw only one of his works gain recognition during his lifetime, created an impressive body of work in a short span of time. Despite his immense output, only a few of his compositions have stood the test of time, with the iconic "Berceuse" from his opera "Jocelyn" being the most well-known. This piece, often titled "Angels Guard Thee" in English, showcases Godard's unique ability to blend sentimental melodies with technical prowess.

Les bijoux de Jeannette and Pedro de Zalamea, two forgotten operas by Godard, now rest in obscurity. Nevertheless, his compositions continue to captivate listeners, offering both charm and inspiration. Born in Paris on August 18, 1849, Godard showed remarkable talent from a young age, eventually dedicating himself entirely to composition after early successes. His works, following the traditions of Mendelssohn and Schumann, display a mix of melodious beauty and technical brilliance.

The first Piano Concerto in A minor, op. 31, showcases Godard's dynamic energy and versatility as a composer, with its striking contrasts and lyrical themes. The second movement, an Andante quasi adagio, stands out as one of the most emotive slow movements in the romantic concerto repertoire. Its melancholic beginning evolves into a passionate outpouring of grief before fading into near silence at the end. The Allegro ma non troppo (Vivace) finale, though slightly less distinctive, maintains the concerto's overall character with lively, folk-inspired themes.

Godard's second Piano Concerto in G minor, op. 148, reflects a more somber and introspective tone. The beautiful second movement in B major reveals a poignant depth, while the ensuing Scherzo in F minor showcases Godard's playful side reminiscent of Mendelssohn. The finale, Andante maestoso, features a vibrant Moto perpetuo section leading to a grandiose conclusion, tying back to the concerto's initial themes.

The Introduction et Allegro, op. 49, surprises listeners with its varied structure and clever themes, showcasing Godard's compositional skill and potential for creating enduring favorites. With its engaging melodies and dynamic shifts, this piece possesses the elements that could make it a classic hit in the repertoire of pianists worldwide. Benjamin Godard's contributions to music deserve to be appreciated and celebrated.