Album insights
The two composers are perceived very differently, with one being practically unknown while the other was globally renowned in the first four decades of the last century.
Jerzy Gablenz's lack of attention may be attributed in part to a long list of unfinished or unperformed works. His completed piano concerto from September 20, 1926, was only performed in Santo Domingo in 1977, with pianist Józef Stompel as the soloist. Born on January 23, 1888, in Krakow, Gablenz was surrounded by a musical upbringing from a young age, mastering piano, flute (becoming a virtuoso), organ, and cello.
Despite his musical talent, Gablenz was unable to pursue his dream of studying music in Berlin, Paris, or Vienna. Instead, he enrolled in law studies at the Jagiellonian University in Krakow, where he found his imagination stifled by his studies.
In 1914, Gablenz's father purchased a vinegar and mustard factory, expanding it to include cucumber preserves. Gablenz’s life became dominated by the factory after his father's death. He struggled to complete works and arrange performances, with his last fully orchestrated composition being the symphonic prelude "Enchanted Lake," op. 29, in 1937.
Meanwhile, Ignacy Jan Paderewski’s career as a pianist surged after his studies with Theodor Leschetizky. His fame quickly rose after successful debuts in Paris and Vienna in 1888, and he completed his piano concerto in A minor that same year.
Paderewski’s “Polonaise Fantaisie” marked his return from America in 1893 and quickly gained popularity. The piece has four distinct movements, seamlessly flowing between them while integrating traditional Polish elements.
Diverging opinions exist on Paderewski's composition, with Shaw criticizing its brilliance and Krehbiel praising its grandeur and passion. Paderewski's charisma and stage presence captivated audiences, making him a beloved figure worldwide, particularly in the United States.