Album insights
William Sterndale Bennett (1816-1875) was fortunate to come from a musical lineage. Coming from a family with a strong musical background, Bennett's paternal grandfather, John Bennett (1754-1837), served as a "lay clerk" at three Cambridge colleges, sharing positions with the organists and lay clerks. Bennett's father, Robert (1788-1819), a choirboy at King’s College, later apprenticed under organist John Clarke-Whitfield before becoming an organist at a church in Sheffield. After the passing of his parents at a young age, William was raised by his grandparents in Cambridge where he displayed early musical talent. Recognized for his skills, he joined the King’s College choir at the age of ten, recommended by the College's Provost. Progressing from violin to piano, Bennett's talent shone as he performed a piano concerto by Dussek at the age of twelve. Initially mentored by William Crotch, his composition journey surged under the guidance of Cipriani Potter in 1832. Despite Bennett's early struggles, his first piano concerto, op. 1 in D minor, showcased his brilliance and garnered widespread acclaim after multiple performances.
Influenced by Mozart, Bennett's compositions bore traces of the London piano school, emphasized evident in the first movement of his first piano concerto. Featuring intricate themes and dramatic shifts akin to Mozart and infused with neoclassical elements, Bennett's work startled audiences with its depth despite his young age. His progressive style was marked by a blend of classical influences, notably illustrated in his innovative handling of musical structures and use of tonal complexities. Bennett's vibrant piano concertos evolved through various influences, ultimately establishing him as a respected figure in the musical realm.
Exemplifying mastery in his craft, Bennett's second piano concerto, op. 4 in E flat major, demonstrated his growing confidence and musical breadth. Presented with larger orchestral dynamics and technically demanding solo passages, the concerto encapsulated Bennett's artistic maturation. The seamless interplay between orchestra and soloist underscored Bennett's advancements in form and thematic development. Showing a departure from traditional conventions, Bennett's compositions merged classical finesse with a forward-thinking approach, solidifying his place as a virtuoso composer.
William Sterndale Bennett's musical odyssey culminated in the acclaim received for his third piano concerto, op. 9 in C minor. Embracing a blend of influences from Mozart and Bach, this emotionally rich piece captivated audiences and critics alike. Bennett's adept handling of counterpoint and thematic development in the concerto highlighted his artistic growth and sophistication. The integration of varied musical elements and nuanced expressions showcased Bennett's intricate craftsmanship and imaginative prowess. With each performance of his compositions in London and Leipzig, Bennett gained admiration and recognition as a pioneering composer in the vibrant music scene of the 19th century.