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Big Vicious

Big Vicious

Avishai Cohen, Big Vicious

Duration51 Min

Album insights

Born on February 15, 1907, in La Fontenelle, Ille-et-Vilaine, Brittany, Jean Langlais was a French organist and composer. Despite being blind from a young age, he excelled in piano, organ, and music theory at the National Institute for the Blind in Paris. Langlais studied with renowned masters like André Marchal, Marcel Dupré, and absorbed inspiration from Charles Tournemire's improvisation skills and compositions, notably "L’Orgue mystique."

Transitioning to the Paris Conservatoire under Marchal's guidance in 1927, Langlais flourished. Studying with Marcel Dupré and Paul Dukas, he received accolades for his organ performance. Langlais, influenced by Tournemire and enamored by Gregorian chant, later became an esteemed educator at his alma mater. His compositions, deeply rooted in Catholic liturgy, often unfolded in the USA, reflecting his profound faith and musical devotion.

Among his notable works is the Missa Salve regina, premiered in 1954 at Notre Dame, Paris. This unique piece integrates male choir, soloists, two organs, and brass instruments, displaying Langlais' melodic richness and use of ancient harmonic techniques. His profound spiritual connection is evident in his compositions, with pieces like the Cantus planus Salve regina taking inspiration from Catholic tradition and Gregorian chants.

Langlais' compositions, such as the Missa solennelle and the Te Deum, echo his reverence for Catholic liturgy. The Missa solennelle, developed in 1951, showcases Langlais' distinctive use of polyphony and modal elements. Pieces like "La nativité" and "Rosa mystica" add layers to his repertoire, exhibiting a blend of contemplative simplicity and intricate harmonies characteristic of Langlais' compositions.