Album insights
Percy Aldridge Grainger (1882–1961) was part of a remarkable group of composer-pianists in the realm of classical piano adaptations. Inspired by Liszt, considered the father of this form, Grainger brought his unique style to the genre. His foray into this field showcased his distinctive sound and deep understanding of the piano's capabilities, resulting in moments of absolute brilliance and beauty. While most of Grainger's piano works are transcriptions, revealing his originality as a composer, about thirty adaptations of other composers' works also demonstrate his skill.
At the age of nine, Grainger had composed pieces in the style of Handel as part of his "Birthday Gift" dedicated to his mother, Rose. His exposure to piano music from Bach, Brahms, Grieg, Schumann, and others came through her influence from the age of five. This early familiarity with renowned composers led to his numerous performances and set the stage for his piano career. His enthusiasm for melodies and sharing music drove him to release a series of eight transcriptions between 1920 and 1942, titled "Free Settings of Favourite Melodies," such as adaptations of Grieg and Schumann's piano concertos, Tchaikovsky's First, and Rachmaninoff's Second Piano Concerto.
Grainger's first transcription attempt was his Paraphrase on Tchaikovsky's Flower Waltz, premiered at his debut solo performance in London in 1901. Dedicated to French pianist Léon Delafosse, this work displayed Grainger's innovative English performance instructions. The structure of this vibrant Paraphrase unfolds through virtuosic passages, culminating in a lively cadenza and a boisterous apotheosis.
Grainger's friendship with Cyril Scott blossomed during their time at the Frankfurt Dr. Hoch Conservatory. The Handelian Rhapsody, originating from an early one-movement Sonata in D major by Scott, underwent revision at Grainger's urging, showcasing Scott's resonant bell-like sounds. Their collaboration extended to transcriptions and original works, intertwining traditional Irish melodies and compositions.
Grainger's Tribute to Foster, crafted between 1913 and 1916, reimagined Stephen Foster's Camptown Races and integrated musical glass effects in a hypnotic and intense piece. His admiration for Richard Strauss inspired the self-titled piano adaptation, fusing Strauss's lush compositions with Grainger's pianistic brilliance. Likewise, his arrangement of George Gershwin's works reflected a deep appreciation for Gershwin's genius, revealing a blend of their musical styles.
Throughout his career, Grainger's adaptations brilliantly captured a range of musical influences, from John Dowland's compositions to an authentic Chinese melody harmonized in the Kung scale. His desire to share the beauty of diverse musical traditions underscores his commitment to inform, educate, and delight through his arrangements and compositions.