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Composer

Samuel Barber

1910 — 1981

AboutSamuel Barber

Samuel Barber (* March 9, 1910, West Chester, Pennsylvania; † January 23, 1981, New York) worked under the influence of the dominant European tradition to create an original American sound language. He wrote his first pieces as a child and decided at the age of nine that he wanted to be a composer. His studies led him to the Curtis Institute of Music in Philadelphia, and subsequently to Rome, where in 1935 he became a member of the American Academy there, which annually supported around 30 artists of various provenances. Samuel Barber was stylistically influenced by Neoclassicism, especially the works of Igor Stravinsky, and integrated contemporary American sound forms such as jazz elements into his music. In 1936/37, he wrote his "String Quartet in B minor," whose slow movement "Adagio for Strings" was premiered in its orchestral version by Arturo Toscanini the following year. It would become his most famous piece, for a time even overshadowing other works in public perception. Samuel Barber's oeuvre covered a variety of different genres. He wrote two symphonies (1936, 1944) and numerous other orchestral works. Popular with artists and audiences alike were the Violin Concerto (1941), the Cello Concerto (1946), and his Piano Concerto (1962), as well as vocal works such as songs or "The Lovers" for baritone, choir, and orchestra (1971). Operas and stage works also hold an important place in Barber's oeuvre. In addition to the operas "Vanessa" (1958), the short opera "Hand of a Bridge" (1959), and the ballet "Medea" (1953), "Anthony and Cleopatra" (1966) became particularly internationally renowned. The stage drama was commissioned by the New York Lincoln Center and premiered at the inauguration of the new home of the "Metropolitan Opera" on September 16, 1966. Samuel Barber is today considered one of the most important tonal composers of the 20th century, whose preference for classical and romantic harmony has opened up a large audience to him.

Samuel Barber: Expressiveness Beyond Boundaries

Samuel Barber stands out as one of the most expressive and influential American composers of the 20th century, acclaimed for his mastery of lyricism and rich Romantic sensibilities. While often remembered for the iconic Adagio for Strings, Barber’s oeuvre is remarkably broad, spanning orchestral, chamber, vocal, and operatic music.

The Early Life and Influences of Samuel Barber

Born in Pennsylvania in 1910, Barber demonstrated prodigious musical talent from childhood, composing his first piece at age 7 and attempting his first opera at 10. At 14, he was among the first students to enroll at the Curtis Institute in Philadelphia, where he studied piano, voice, and composition. Barber’s style favored classical and Romantic harmonies, with less emphasis on jazz or Stravinsky-like neoclassicism. He had a long personal and professional partnership with composer Gian Carlo Menotti, who provided libretti for several of Barber’s operas. Barber was awarded two Pulitzer Prizes and the American Prix de Rome.

Barber's Acclaimed Works: A Glimpse

Barber's work is vast and varied, encompassing orchestral pieces, chamber music, vocal compositions, and operas. His most famous piece, the emotionally resonant Adagio for Strings, was premiered by Toscanini in 1938 and remains one of the most recognizable pieces of classical music. His String Quartet, Op. 11 is notable as the slow movement became the Adagio for Strings.

Barber's concertos, including his Violin Concerto and Cello Concerto, are praised for their lyricism and technical demands. His operas, such as Vanessa and A Hand of Bridge, for which Gian Carlo Menotti provided the libretti, and Antony and Cleopatra, with a libretto adapted from Shakespeare’s play, are significant contributions to the genre.

Barber's vocal work Dover Beach is for baritone and string quartet, showcasing his talent for setting text to music. While Barber is noted for his vocal music, it does not comprise the majority of his total output.

Samuel Barber's Legacy in American Music

Samuel Barber's influence on American music is profound. His ability to integrate contemporary American sound forms into classical and romantic harmony set him apart from his contemporaries and marked him as one of the most important tonal composers of the 20th century. His works continue to be performed on stages around the world, including prestigious venues like the Lincoln Center and the Metropolitan Opera.