This production was of great personal significance to me. After we first performed "The Death of Ivan Ilyich" and "Mahámátar" at a Tavener concert in 2013, I informed John that Hyperion Records was interested in recording both works. Although this news initially surprised him, he gratefully accepted the opportunity, even though his failing health affected his mood. It took some time before he returned to his creative work. The resulting recording impressively demonstrates the expressiveness and beauty of his late compositions and also shows how he was exploring new musical avenues.
A considerable amount of time passed between the decision to record the works in Manchester and their actual realization, not least because of John's death. To complete the album, further pieces had to be selected. Ultimately, we were also able to record "Preces and Responses," "No Longer Mourn for Me," and "Popule Meus." Assembling the musicians involved proved challenging, but we finally succeeded in completing the project in John's memory.
"Preces and Responses" was among John's last completed compositions and was first presented six months after his death. Based on Latin prayers, the work testifies to John's versatility and his openness to influences from other religions and cultures. Despite self-doubt regarding the quality and accessibility of these late works, he created a piece of profound artistic sensitivity.
"The Death of Ivan Ilyich" was a particularly special composition for John, inspired by Tolstoy's story. Our intensive collaboration on it brought us closer again after previous differences. The performance at the Manchester International Festival was a moving highlight of our shared musical career.
With "Mahámátar," John created a mantra that unites Eastern and Western musical elements. The impressive performance with various singers and orchestra remains a special memory. It highlighted John's extraordinary musical talent and deeply touched us all.
The work on "Popule meus" was shaped by many personal experiences with John. This meditative and spiritual work is dedicated to his wife, who supported him during his illness. Initially, I was uncertain, but I soon developed a deep connection to this piece and was proud to be able to interpret it.
The musical cycle concludes with "No Longer Mourn for Me." Performing this work after John's death was challenging, but also a dignified and moving finale. It was a great honor for me to carry on and honor John's musical legacy in this way.