Johann Sebastian Bach requires no detailed introduction for listeners of this CD, but this might be the case for Eugen d'Albert (1864–1932). Although d'Albert is not widely known today, he was one of the most celebrated pianists and internationally acclaimed composers of his time. His opera Tiefland (1903), a dramatic work of verismo, remained a standard repertoire piece in Germany, despite potential problems under Hitler's regime.
D'Albert's private life resembled a soap opera, with his numerous marriages overshadowing his professional achievements, much like Henry VIII of England. With six wives, d'Albert nearly surpassed Henry's record. His fondness for women often overshadowed discussions of his musical works. The humorous comparison of marrying as many women as Beethoven composed symphonies (the Ninth with chorus) revealed d'Albert's ironic attitude toward his marital prowess.
His multifaceted nationality and musical talent led d'Albert from Scotland to Germany. His patriotic correspondence and rejection of the label "English pianist" underscored his affinity for German culture. Despite initial diplomatic challenges, d'Albert focused on his "Germanization," which shaped his perception in Great Britain.
D'Albert and Busoni were significant arrangers of Bach's music of their generation. Their differing approaches were particularly evident in their adaptations of Bach's works. D'Albert's transcriptions often featured simpler structures and were more restrained in their sound compared to Busoni's imposing arrangements.
Ultimately, which style of Bach transcription one prefers is a matter of personal taste. While Busoni imitated the sound of the organ and created impressive pieces perfect for piano recitals, d'Albert remained closer to Bach's original compositions. Although Busoni's arrangements have received more recognition in the past hundred years, d'Albert's adaptations could also find great favor if they were better known.