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Mackenzie & Tovey: Piano Concertos (Hyperion Romantic Piano Concerto 19)

Mackenzie & Tovey: Piano Concertos (Hyperion Romantic Piano Concerto 19)

Steven Osborne, BBC Scottish Symphony Orchestra, Martyn Brabbins

Duration62 Min

Album insights

Wilhelm Fitzenhagen, born in 1848 in Seesen, Lower Saxony, received a thorough musical education at a young age due to his father, who served as a court musician for the Duke of Braunschweig. Starting his music lessons at five, Fitzenhagen developed skills in piano, violin, and cello. Choosing the cello as his primary instrument, he studied under renowned cellist Theodor Müller and later under Friedrich Grützmacher in Dresden. Transitioning into a successful solo career, he also delved into composing, releasing pieces including romances and original compositions.

His major compositions like the first Cello Concerto in B minor, Op. 2, and the second Concerto ('Fantastique') in A minor, Op. 4, gained widespread acclaim. The B minor Concerto, dedicated to the Grand Duke Carl Alexander of Sachsen-Weimar-Eisenach, showcases dramatic orchestral elements seamlessly blending with the cello's tranquil melodies. Similarly, the A minor Concerto, though named 'Fantastique', does not follow a programmatic structure, yet reflects Fitzenhagen's melodic prowess influenced by composers like Vieuxtemps and Schumann.

Fitzenhagen's work extended to compositions like 'Resignation' and 'Ballade', demonstrating his skillful orchestration and lyrical expressions. His move to Russia marked the beginning of his collaboration with Tchaikovsky, culminating in notable performances and revisions for chamber and orchestral works. The most notable revision was for Tchaikovsky's 'Variations on a Rococo Theme', where Fitzenhagen's drastic alterations caused both admiration and controversy, underscoring his enduring impact on Tchaikovsky's musical legacy.