Their Oblivion For about a quarter of a century, Romantic music has been experiencing a renaissance, bringing to light composers who previously received little attention. Their obscurity at that time was less due to the quality of their works and more to the changing artistic currents of the early 20th century. This revival of Romanticism is now gaining increasing prominence and influence.
In the 19th century, piano virtuosos were at the height of their powers. They wrote their own pieces for their performances and used their concerts to demonstrate their technical brilliance. While technical perfection was paramount at the beginning of the century, the originality of composition became more important over time.
Xaver Scharwenka began his studies at the New Academy of Music in Berlin in 1865, where he learned piano and composition. His comprehensive training, talent, and diligence led to his breakthrough as a pianist and composer.
After enjoying a successful international career as a concert pianist, Scharwenka was forced to withdraw from public life by the outbreak of the First World War in 1914. He spent his final years in Berlin, where he was highly regarded and died in 1924. As a pianist, composer, and teacher, he left a lasting impression.
The Scherzo in G major reflects youthful energy and showcases Scharwenka's virtuosity at the piano without neglecting its musical substance. The Barcarolle in E minor impresses with its rich piano tonal effects and an expressive melody over a lively accompaniment.
The Novelette and Melodie, presumably from 1875, are characterized by a simple melodic line that creates a serene atmosphere. Influences of Schumann can also be discerned in the Novelette.
During Scharwenka's lifetime, his piano variations enjoyed great popularity and were performed by other pianists as well. The Variations in D minor were later revised and streamlined, resulting in twelve variations.
The Four Polish Dances, Op. 58, were composed at the height of Scharwenka's career. They are distinguished by their mature musicality, sophisticated harmonies, and demanding modulations; the last piece may contain a subtle allusion to the Polish national anthem.