Josquin Des Prez remains an enigmatic figure among composers, for despite intensive research, his life and work are becoming increasingly difficult to trace. Many details of his career are unclear, and even the attribution of his works is often problematic. Numerous compositions have either been wrongly attributed to him or to other musicians. Nevertheless, there are some pieces whose authenticity has been definitively proven and which can be indisputably linked to Josquin Des Prez. Three such works, representing different phases of the composer's life, can be heard on this recording.
The motet cycle "Vultum tuum deprecabuntur" was composed during his time as a singer in Milan. In contrast, "Planxit autem David" and the "Missa Pange lingua" are among his later works and document his exceptional skill. Josquin's music is characterized by sophisticated structures and masterful craftsmanship, which confirm his status as a major composer. Each of these pieces underscores the admiration for his musical genius.
The motets from "Vultum tuum deprecabuntur" were originally conceived for a Mass and reflect influences from existing compositional styles typical of Milan Cathedral. The reconstruction of these motets allows for a deeper insight into Josquin's sound world. "Planxit autem David" depicts David's grief for Saul and Jonathan and is woven into a coherent musical narrative. In the "Missa Pange lingua," Josquin skillfully combines Gregorian melodies with his own ideas, creating a captivating soundscape. His strength lies in his ability to unite tradition and innovation in a balanced way, which makes this work particularly remarkable.