Around 1750, musical life in England developed into one of the most dynamic scenes in Europe. Numerous musical performances took place in London – concerts were held not only in theaters, but also in parks, pubs, and concert halls. At the same time, a lively concert scene also began to flourish in provincial towns. Orchestral societies, comprised of professional musicians and gentlemen, significantly enlivened the musical landscape.
The Concerto Grosso, also known in England as the 'Grand Concerto', decisively shaped English concert culture. London theater orchestras introduced this genre, which was particularly suitable for amateur orchestras, as the more complex passages were handled by professional musicians. In the regions, orchestras initially followed London's lead and frequently performed works by Corelli or Handel. It was only from the mid-18th century onward that local composers increasingly began to respond to the growing demand for new compositions.
Capel Bond, a talented musician from Gloucester, made a name for himself as an organist in cities such as Coventry and Birmingham. His performances attracted large audiences and enjoyed great popularity. Even after a period of relative quiet, Bond remained a prominent figure in English music history.
The concert series organized by Bond were characterized by a diversity of styles and influences, ranging from Handel to contemporary composers. Bond's concerti grossi achieved widespread acclaim at the time and were performed extensively in both London and the Midlands. His works reflect the vibrancy of provincial English music in the 18th century and remain significant today.