Skip to content
Stravinsky / Bach

Stravinsky / Bach

Leonidas Kavakos, Péter Nagy

Duration75 Min

Johann Sebastian Bach

Partita No. 1 for Solo Violin in B Minor, BWV 1002

Igor Stravinsky

Suite Italienne from Pulcinella, K34 (Arr. Dushkin for Violin & Piano)

Johann Sebastian Bach

Sonata No. 1 for Solo Violin in G Minor, BWV 1001

Album insights

In the 19th century, the forty-year friendship between composer and pianist Johannes Brahms and violinist and composer Joseph Joachim is considered one of the most significant relationships in music history. Despite occasional issues stemming from their sensitivities, Brahms and Joachim held a deep mutual admiration for each other's artistry. Their association led to notable compositions like the Violin Concerto and the Double Concerto. Brahms valued Joachim's opinion and sought his feedback on musical compositions.

Joachim, a renowned violinist, was quick to recognize Brahms' exceptional talents when the young composer arrived in Hanover seeking his mentorship. While Joachim excelled in various musical roles, Brahms lamented Joachim's diminished focus on composing. Born in Kittsee, near the eclectic city of Poszónyi, Joachim was influenced by Hungarian musical traditions and sought to innovate them into more symphonic forms. Despite some personal conflicts, their artistic collaboration endured through celebrated works like the Hungarian Dances.

Brahms, assimilating Hungarian music through encounters with violinist Eduard Reményi, crafted his own adaptations of Hungarian melodies. His Hungarian Dances, initially composed for solo piano, became an instant success, securing financial gains for his publisher. Brahms transformed these folk melodies with profound creativity, infusing them with rhythmic nuances and emotive cadences characteristic of Gypsy music styles.

The Hungarian Dances underwent multiple arrangements for various musical ensembles, highlighting Brahms' versatility in composition. Joachim's transcriptions for violin brought forth a new layer of technical complexity and genuine Gypsy flair to these vibrant pieces. These renditions showcased artistry and authenticity, significantly enhancing the inherent spirit of the dances.

Joachim's collaborations extended to Brahms' later works, including the second series of Hungarian Dances, marked by refined introspection. As Joachim navigated the intricacies of the violin arrangements, his deep understanding of Gypsy musical traditions shone through, enriching the compositions with his virtuoso skills. Furthermore, his efforts in adapting Brahms' works for violin underscored his profound grasp of musical expression and technique.

The friendship between Brahms and Joachim faced challenges but endured through shared musical ventures, culminating in extraordinary orchestrations and variations. Joachim's dedication to enhancing and embodying the essence of Gypsy music through his violin performances solidified their collaboration as an enduring legacy in classical music.