Complete Early Berlin Philharmonic Recordings

I. Allegro con brio

II. Andante con moto

III. Scherzo. Allegro

IV. Finale. Allegro

I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo

II. Szene am Bach. Andante molto mosso

III. Lustiges Zusammensein der Landleute. Allegro

IV. Gewitter, Sturm. Allegro

V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto

I. Allegro con brio

II. Andante

III. Poco allegretto

IV. Allegro

Tragic Overture, Op. 81

The Consecration of the House Overture, Op. 124

No. 1 in C Major

No. 2 in A Major

No. 3 in D Major

No. 4 in B-Flat Major

No. 5 in E-Flat Major

No. 6 in C Major

No. 7 in E-Flat Major

No. 8 in C Major

No. 9 in A Major

No. 10 in C Major

No. 11 in G Major

No. 12 in E-Flat Major

I. Largo – Allegro vivace

II. Andante

III. Menuetto. Allegro vivace

IV. Presto

I. Adagio maestoso – Allegro con brio

II. Allegretto

III. Menuetto. Vivace

IV. Presto. Vivace

I. Adagio molto – Allegro vivace

II. Andante

III. Menuetto. Allegro vivace

IV. Allegro

I. Allegro

II. Andante con moto

III. Menuetto. Allegro molto

IV. Allegro vivace

I. Adagio – Allegro

II. Andante

III. Scherzo. Presto

IV. Allegro moderato

I. Allegro moderato

II. Andante con moto

1. Allegro molto

2. Andante

3. Presto

1. Allegro spiritoso

2. Andante

3. Menuetto (allegretto)

4. Presto

1. Allegro vivace

2. Andante cantabile

3. Menuetto (Allegretto)

4. Molto allegro

I. Allegro vivace

II. Andante con moto

III. Con moto moderato

IV. Saltarello. Presto

I. Andante – Allegro con fuoco

II. Allegro vivace

III. Andante

IV. Andante con moto (Chorale "Ein feste Burg")

Grande fête chez les Capulets

Scherzo - La Reine Mab où la Fée des songes

Scène d'amour

Romeo au tombeau des Capulets

Romeo And Juliet, Fantasy Overture

1. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo

2. Andantino in modo di canzone

3. Scherzo. Pizzicato ostinato - Allegro

4. Finale (Allegro con fuoco)

I. Alborada

II. Variazioni

III. Alborada

IV. Scena e canto gitano

V. Fandango asturiano

1. The Montagues And The Capulets

4. Dance

Romeo at Juliet's Grave [Romeo and Juliet, Ballet Suite, Op.64a, No.2]

6. Dance Of The Maids From The Antilles

7. Death Of Tybalt

The Pines Of Villa Borghese, [P. 141]

The Pines Near A Catacomb, [P. 141]

The Pines Of The Janiculum, [P. 141]

The Pines Of The Appian Way, [P. 141]

A Night On The Bare Mountain

I. Tuning Up These Are Sounds

II. It All Starts with an Idea

III. All of Them Are Now Ready – Theme

IV. It Is Time That Each Instrument Speak for Itself – Var. A

V. When 2 Oboes Discuss the Theme – Var. B

VI. Clarinets Are Glib Talkers and Are Very Popular – Var. C

VII. Easily Recognized Is the Gossip of the Bassoon – Var. D

VIII. Thirty of the 60 String Players Are Violinists – Var. E

IX. The Alto Voice of the Viola Is Larger Than the Violin´s – Var. F

X. The Violoncello Is Larger Still – Var. G

XI. The Double Bass Stands as High as a Man – Var. H

XII. Words Plucked from Any of the Harp´s 47 Strings – Var. I

XIII. The Horn Is a Brass Instrument – Var. J

XIV. These 2 Trumpets Challenge Each Other in a Brilliant Exchange – Var. K

XV. The Giants of the Brass, the Trombones and Tuba – Var. L

XVI. The Comment of the Percussion Is Right to the Point – Var. M

XVII. Everyone Has Had His Say – Fugue