Practice Pieces This recording does not focus on typical jazz, as all the pieces are fully composed, even if they convey an improvisational character. Rather, it pays tribute to four important 20th-century composers who integrated elements of jazz into their classical music. The interplay of jazz and classical music in this context offers a truly unique listening experience.
Friedrich Gulda pursued both a classical and a jazz-oriented musical career. His "Practice Pieces," such as "Play Piano Play," provide classically trained musicians with access to the world of jazz. Keith Emerson, of Emerson, Lake & Palmer, brought Gulda's "Prelude and Fugue" to the stage with unexpected improvisations. The Russian composer Nikolai Kapustin uniquely combined jazz and classical music in his sonatas, gaining international acclaim.
Alexis Weissenberg, an exceptional pianist, created his own sound world with his innovative arrangements and compositions, characterized by striking dissonances and demanding piano technique. His works demand engagement, but offer rich musical experiences. In "Mr. Nobody Plays Trenet," a journey unfolds through tango, Charleston, blues, and samba, with the individual touch of "Mr. Nobody" always remaining palpable in Charles Trenet's original arrangements.
George Antheil, known for his unconventional style, impresses with his distinctive approach. His jazz sonata, in particular, captivates with its combination of driving energy and assertiveness. This musical collage invites the listener to surrender to the fascinating experience rather than dissecting it analytically.