For about 25 years, the music world has been experiencing a revival of Romantic works. Composers long forgotten are being rediscovered—not because of any lack of quality in their compositions, but because of the prevailing trends of the 20th century. This Romantic revival is gaining momentum.
Piano virtuosos of the 19th century were often required to perform their own compositions. Initially, the focus was on compositions that demonstrated technical brilliance. Over the course of the century, however, the emphasis shifted from mere display to creative originality.
Born in Poland, Xaver Scharwenka joined the Berlin New Academy of Music at the age of 15, in 1865. His musical education under renowned teachers formed the foundation for his later career as a pianist and composer.
After years of successful international concert tours, the outbreak of war in 1914 forced Scharwenka into seclusion. He died in Berlin in 1924 as a highly respected figure, known for his concert performances, his operas, and especially for his Polish Dances.
Scharwenka's compositions quickly gained recognition. His Polish Dances sold millions of copies and even impressed Franz Liszt. His works are characterized by thematic diversity.
The Sonatina in E minor (Op. 52, No. 1) and the Romanzero (Op. 33) demonstrate Scharwenka's melodic inventiveness. His Piano Sonata No. 2 in E-flat major (Op. 36) is considered one of his most outstanding works for piano, distinguished by superb melodies and virtuosic compositional technique.