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Stephen Hough's French Album

Stephen Hough's French Album

Stephen Hough

Duration79 Min

Album insights

Cécile Louise Stéphanie Chaminade, born in Paris in 1857 and passing away in Monte Carlo in 1944, was a prolific composer who produced around 350 works during her lifetime. Known for her talent in creating short lyrical piano pieces, she achieved remarkable commercial success in France, the UK, and the USA. Her compositions catered to the market of home and salon music, focusing on elegant melodies, simple structures, and skilled execution.

Among Chaminade's compositions, the Prélude in D minor from op. 84 displays brilliance and conciseness. It features lively triplet figures across the keyboard, leading to a passionate melody. The harp chords in the middle section add character, followed by a return to the initial material with poetic flair and the reemergence of the triplet figures. Another notable piece, Rigaudon from Pièces romantiques, showcases a gentle, noble style akin to Chabrier. Conversely, Les sylvains presents two distinct ideas—lyrical and playful—culminating in a mischievous finale.

Chaminade's Valse-ballet and Inquiétude offer contrasting moods, with the former displaying lively sections and a contemplative theme, while the latter incorporates syncopations and rhythmic complexities. Noteworthy compositions also include Arabesque and the dynamic third Valse brillante in A-flat, highlighting Chaminade's skillful control of musical form.

Her Klaviersonate and various pieces from the Album des enfants underscore her craftsmanship and diverse styles, ranging from classical melodies to vibrant, exotic inspirations. Villanelle and the Tarantelle represent the intricacy and spirited tempo in her children's pieces. Moving to orchestral works, Le passé and Sérénade espagnole demonstrate Chaminade's orchestration talents, blending melancholic themes with vibrant rhythms.

Chaminade's mastery of waltzes is evident in Valse No. 4 and the playful Cortège in A major, showcasing her versatility and expressive range. This piece, marked as a "Fragment," reveals a daring side in her music, transitioning from bold military marches to fugue-like themes. Her fascinating compositions persist as a testament to her innovative and multifaceted musical legacy.