Album insights
Otto Friedrich Deutsch hypothesized in his Thematic Catalogue of Schubert's works in 1951 that a collection of musical sketches labeled "Symphony" and dated May 18 might have been an attempt at a Symphony in D major. These sketches, later cataloged as D615, consist of nine different movements, mostly unfinished and written in D major or related keys. Despite these observations, the extensive nature and stylistic differences of the sketches raised doubts among music scholars.
Upon closer examination of the folio script in the Viennese City and State Library, which bore the label "Two Symphonies in D," it became apparent that the librarian in the late 19th or early 20th century suspected the presence of more than one symphony due to the volume of material. Surprisingly, Deutsch's designation of the sketches remained unchallenged for over 25 years.
In 1978, as preparations were made to celebrate Schubert's birth year, a thorough analysis of the folio script was conducted. It was discovered that the script actually contained material for not one, but three symphonies in D major, each dated to 1818, 1821, and 1828 respectively. Consequently, these three symphonies were assigned distinct numbers in Deutsch's 1978 catalogue.
Schubert embarked on composing 13 symphonies, completing seven. Following his earlier works, he made attempts at another symphony, of which a 40-bar fragment remains. The remarkable evolution in Schubert's symphonic compositions, from his youthful works to the monumental Ninth Symphony, reflects his growth and maturity as a composer.
The so-called "Unfinished Symphony" is a testament to Schubert's innovative and expressive composing style. Despite only two completed movements, it remains one of his most beloved works. However, classically speaking, a symphony that starts in one key and ends in another cannot be considered "finished." It may be best described as a "Partially Complete Symphony."
Schubert's journey through composition, as seen in his symphonies, showcases a progression from youthful exuberance to masterful skill. His experimentation with different forms and styles highlights his artistic development over time. The chronological list of Schubert's symphonies provides a comprehensive view of his symphonic output, each work representing a unique chapter in his musical legacy.
Symphonies such as the "Unfinished" and the exploration of a tenth symphony attest to Schubert's boundless creativity and artistic ambition. Despite the challenges in interpreting and performing these fragmentary works, the spirit of Schubert's original intentions remains elusive, sparking curiosity and speculation among musicians and audiences alike.