Album insights
In his youth, Ravel started embracing several traits of Baudelaire's Dandy lifestyle. Always impeccably dressed, he aimed for a level "above the battle" and delighted in surprising others while appearing immune to surprises himself. His piano works aimed for originality and he was keen on avoiding repetition. Unlike other French composers of his time who were virtuosos, Ravel was only a mediocre pianist with a thin, hard tone. Despite criticism about his playing, this perhaps prevented him from falling into the trap of following conventional paths in his music, resulting in a unique atmosphere that wasn't always comfortable.
Ravel's earliest known composition, initially titled Sérénade, was later expanded into Sérénade grotesque in 1928 to better reflect its full of rhythmic and harmonic surprises. He felt influenced by Chabrier in these early works. His piano piece, Menuet antique, from 1895 showed a blend of modernity and his own style with innovative harmonies and rhythmic variations. The first public performance was given by pianist Ricardo Viñes, a close friend and advocate of Ravel's music.
Ravel's refusal to engage with Wagner, instead favoring Liszt, showcased his unique approach. His compositions like Jeux d'eau and Miroirs demonstrated his evolving style and distinct technical demands, drawing inspiration from literature and nature. Not shying away from challenges, Ravel constantly sought innovation and originality in his music compositions.
Despite challenges, Ravel's persistence led to noteworthy compositions like Valses nobles et sentimentales and Le tombeau de Couperin, reflecting a blend of formality and emotional depth. His dedication to avoiding repetition and evolving his style became evident in these musical pieces. Through collaborations and influences, Ravel redefined traditional forms and techniques, leaving a lasting impact on the world of classical music.