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Gluck: Orfeo ed Euridice (Live)

Gluck: Orfeo ed Euridice (Live)

Franco Fagioli, Malin Hartelius, Emmanuelle De Negri, Accentus Chamber Choir, Insula Orchestra, Laurence Equilbey

Duration86 Min

Christoph Willibald Gluck

Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30

Christoph Willibald Gluck

Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act I / Scene 1

Christoph Willibald Gluck

Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act I/ Scene 2

Christoph Willibald Gluck

Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act I / Scene 2

Christoph Willibald Gluck

Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act II / Scene 1

Christoph Willibald Gluck

Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act II / Scene 2

Christoph Willibald Gluck

Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act III / Scene 1

Christoph Willibald Gluck

Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act IV / Scene 1

Christoph Willibald Gluck

Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act III / Scene 1

Christoph Willibald Gluck

Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act IV / Scene 1

Christoph Willibald Gluck

Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act III / Scene 1

Christoph Willibald Gluck

Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act III / Scene 2

Christoph Willibald Gluck

Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act III / Scene 3

Album insights

Eunike Tanzil, the pianist, has released her EP titled "Till Next Christmas," featuring two versions of her self-composed piece of the same name—one for solo piano and another with piano accompanied by strings supported by Scoring Berlin. Reflecting on the essence behind the song, Tanzil shared that it encapsulates the poignant mix of emotions experienced during family farewells, with the phrase "Till next Christmas" lingering as a hopeful anticipation for reunions. Furthermore, the EP includes her renditions of Ryuichi Sakamoto's "Merry Christmas Mr. Lawrence" in two versions—one solo piano and the other with piano and strings, also backed by Scoring Berlin. Tanzil expressed her admiration for Sakamoto's music, calling it a major influence and honoring the artist by reimagining the beloved piece for her audience.