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Composer

César Franck

1822 — 1890

AboutCésar Franck

From an early age, César Franck was marked out by his father for the career of a piano virtuoso and was still only twelve when, having already completed a course at the Conservatory in his native Liège, he set off on his first concert tour. At the age of 15, he was admitted to the Paris Conservatoire, where he worked hard at counterpoint, fugue, composition, and the organ. After having held various organist appointments as in Paris, he became organist at St Clotilde in 1858, remaining there for the rest of his life and drawing audiences from far and wide with his improvisations on Cavaillé-Coll's new instrument. A profoundly modest and kind-hearted man, Franck was denied success and public honours until relatively late in life. A member of the Société Nationale de Musique set up with the aim of encouraging French composers, he set out to pass on to others his teachings as an organist and in 1872 became professor of organ at the Paris Conservatoire, where his pupils included Louis Vierne, Gabriel Pierné, Ernest Chausson, Henri Duparc and Vincent d'Indy. His writing is notable for its rich and shifting harmonies and reflects the influence of Beethoven and Wagner. In addition to his many organ works, he is also remembered for his magnificent Prélude, choral et fugue for piano, a Symphony in D Minor and symphonic poems such as Les Djinns and Le chasseur maudit.

César Franck: A Pioneering Composer of the Romantic Era

César Franck was a Belgian-French composer, organist, and music teacher who played a pivotal role in the Romantic music movement. Born on December 10, 1822, in Liège, which was part of the United Kingdom of the Netherlands at the time, Franck was destined for a musical career by his ambitious father.

Early Life and Career

From a young age, Franck was trained to become a concert pianist. By the age of twelve, he had completed a course at the Conservatory in Liège and embarked on his first concert tour. At fifteen, he was admitted to the Paris Conservatoire, where he studied counterpoint, fugue, composition, and the organ.

Career Highlights

In 1859, Franck became the titular organist at the Church of Sainte-Clotilde in Paris, a position he held until his death. He was renowned for his improvisational skills on the Cavaillé-Coll organ. Franck became a professor of organ at the Paris Conservatoire in 1872. His pupils included notable composers like Louis Vierne, Gabriel Pierné, Ernest Chausson, Henri Duparc, Vincent d'Indy, Guillaume Lekeu, Albert Renaud, and Charles Tournemire. Franck's compositions are characterized by rich and shifting harmonies, reflecting the influences of Beethoven and Wagner.

Notable Works

Among Franck's most significant works is the Symphony in D Minor, composed between 1886 and 1888 and first performed in 1889. His Violin Sonata in A Major is a beautiful and technically demanding piece, highly regarded for its emotional depth. The "Panis Angelicus" is a part of Franck’s Mass for Three Voices (Messe à trois voix) and is a popular choral work known for its beauty and elegance. The "Prelude, Choral et Fugue" is a masterpiece for piano showcasing Franck's ability to blend different musical styles.